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It is just over one year since the catastrophic earthquake and tsunami that hit the western shores of Japan on March 11, 2011 and the devastation it caused to four of the six reactors of the Fukushima nuclear power plant.

That incident may not be much in the news now, but its aftermath is still playing its course and its impact on the nuclear industry is progressing.

In its wake, Japan decided to stop the remainder of its 54 reactors for stress tests to see if they can stand a similar incident to what happened in Fukushima. A few days ago, Japan shut down its last reactor. Therefore, no nuclear electricity at all is now feeding its grid because the government was not able to start any reactor after finishing the tests due to public opposition.

If the government failed to approve the restart of two reactors, it is feared that Japan may face power shortages during the long humid summer and shortages may force industrial companies to reduce production.

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© 2011 Gulf News (www.gulfnews.com)

NEW YORK,NY (Catholic Online) – The Holy See’s Permanent Observer to the United Nations issued a statement to the United Nations restating the constant and clear stand of the Catholic Church on the irreplaceable role of parents in the education of their children.


“For some time now, my delegation has noticed a disconcerting trend, namely, the desire on the part of some to downplay the role of parents in the upbringing of their children, as if to suggest somehow that it is not the role of parents, but that of the State. In this regard it is important that the natural and thus essential relationship between parents and their children be affirmed and supported, not undermined.”


The statement received a lot of coverage in the broader Christian community for its specific reference to homeschooling. The statement continued, “The State should respect the choices that parents make for their children and avoid attempts at ideological indoctrination.”


“International law affirms that states must respect the freedom of parents to choose how to educate their children, which could be in schools that are not established by public authorities.The Catholic school assists parents who have the right and duty to choose schools inclusive of homeschooling, and they must possess the freedom to do so, which in turn, must be respected and facilitated by the State.”


In his Apostolic Exhortation on the family, “Familiaris Consortio” Blessed John Paul II  wrote: “The right and duty of parents to give education is essential, since it is connected with the transmission of human life; it is original and primary with regard to the educational role of others, on account of the uniqueness of the loving relationship between parents and children; it is irreplaceable and inalienable, and therefore incapable of being entirely delegated to others or usurped by others…”


In his “Letter to Families” he wrote “Parents are the first and most important educators of their own children, and they also possess a fundamental competence in this area; they are educators because they are parents. They share their educational mission with other individuals or institutions, such as the Church and the State. But the mission of education must always be carried out in accordance with a proper application of the Principle of Subsidiarity.


“This implies the legitimacy and indeed the need of giving assistance to the parents, but finds its intrinsic and absolute limit in their prevailing right and actual capabilities. The principle of subsidiarity is thus at the service of parental love, meeting the good of the family unit. For parents by themselves are not capable of satisfying every requirement of the whole process of raising children; especially in matters concerning their schooling and the entire gamut of socialization.”


The words of the late Pope underscore the application of the principle of subsidiarity in the education of children, “Subsidiarity thus complements paternal and maternal love and confirms its fundamental nature, inasmuch as all other participants in the process of education are only able to carry out their responsibilities in the name of the parents, with their consent and, to a certain degree, with their authorization.” This is true on both the National and International level.


The Catechism of the Catholic Church affirms the right of parents to choose a school for their children, “As those first responsible for the education of their children, parents have the right to choose a school for them which corresponds to their own convictions. This right is fundamental. As far as possible parents have the duty of choosing schools that will best help them in their task as Christian educators. Public authorities have the duty of guaranteeing this parental right and of ensuring the concrete conditions for its exercise.” (CCC#2229)


The teaching of the Catholic Church on the primacy of parents in the educational mission is clear and consistent. The family is the first cell of society, the first church, first government, first school, first hospital, first economy, and the first mediating institution of society. Any just and efficient philosophy of government must be grounded in the recognition that the family is the first government and defer to it. All other government outside of the family must first be at its service and assist parents not usurp their priamry role.

In “The Role of the Christian family in the Modern World” Blessed John Paul II called for the development of a “family politics”. It is time to build such a “family politics” on the national and International level. Parents are the first teachers of their children. All education begins in the home. It is the right of parents to choose where their children go to school.


That choice for parents should include the full array of options, public, private, parochial, charter and home schools, no matter what their economic status. It is better for the children, better for society and more economically efficient. Education outside of the home is an extension of the parent’s primary educational mission.


Good government, at the State, National and International level, must respect the primacy of parents in the education of their children. The statement of the Holy See’s permanent mission is welcome.

Published by: Catholic Online (www.catholic.org)

“Gravity,” the 3-D sci-fi drama starring Sandra Bullock and George Clooney as astronauts stranded in open space, has been pushed from its November 21 release to 2013 by Warner Bros., EW has confirmed.

The studio remains bullish on the movie, director Alfonso Cuarón’s first film since his highly acclaimed 2006 sci-fi drama “Children of Men.” But between a lack of available 3-D IMAX screens and a highly competitive holiday moviegoing season that includes a new “Bond” movie, the final “Twilight” movie, and “The Hobbit,” Warner Bros. execs wanted to be sure the unusual film had the best possible platform for success.

A new firm release date has not yet been set.

See the full article at EW.com.

CLICK HERE to Try 2 RISK FREE issues of Entertainment Weekly

© 2011 Entertainment Weekly and Time Inc. All rights reserved.

Story By: by Dan Raby

Take a humongous group of excitable jokers who have too much free time on their hands, mix in enough instruments to satisfy an entire marching band variety, toss a few gigantic pom poms and enormously-loud/elaborate outfits their way and you’ll get Mucca Pazza. The Chicago-based band is a 30-piece (yes, 30 trombonists, trumpeters, guitarists, cheerleaders, and more) community of “circus punks” that makes music that sounds like the results of a rowdy weekend at band camp.

Credit: Courtesy of the artist

Mucca Pazza’s new song, “Boss Taurus,” feels like a musical debate: the trumpets make a declaration; there’s a response from the guitars; and the lone tuba tries to get a word in edgewise. The pieces constantly break apart and then get back to working together to get you bouncing in your chair.

The video for “Boss Taurus” has a remarkably simple concept — the members of the band perform and goof off on a tiny stage for three minutes. Its simplicity makes it easy to be swept up in the wave of exuberance and flashy colors packed into those minutes. In that short time, we can easily recognize the personalities of the performers — the single slightly-harried tuba player compared to the funky sax machines compared to the cocky guitar gods. I could easily see this video as an excerpt of a much longer film where the band has to put on a show to save their community rec center from an evil oil baron. Everyone’s slightly awkward, a bit askew and having the time of their lives on the stage.

Director Jim Newberry described to us in an email how he wanted to focus on all the boisterous personalities in the band:

For this video I wanted to keep things simple. The musicians of Mucca Pazza are incredibly vibrant, energetic, and anarchic, and I didn’t want to get in their way by using a lot of self-conscious film-making tricks. So we decided on a simple but lovely set with one camera locked down in a wide shot with occasional roving close-ups. I had worked with the band before and seen them perform many times, so I knew I could pretty much let them do their expressive, hilarious, inspiring performance the way they wanted to and it would be fabulous.

One of the things I love about the band is how there are so many of them — over 30 — yet each band member has his or her own distinctive personality; each wearing their own non-uniform uniform. They’re definitely a cohesive unit, but each individual’s personality shines through. That’s what gave me the idea of having shots of them one at a time, either running or walking through the frame, or just standing there.

Mucca Pazza members Meghan Strell and Sharon Lanza talked about planning and designing the video with Newberry:

Our dear friend Jim shot black and white portraits of everyone in the band a few years ago. When we asked him to shoot a video, he proposed making a video portrait. We started out talking about individual portraits and developed the idea to capture the interaction of each section of the band, or section portraits. We shot the whole song all the way through a couple times with each of the seven sections, to provide Jim with a lot of material to sort through in his editing process. We wanted to capture and contrast individual interaction on the section level, and convey the personality of the trombone section vs. the drum section, for example.

We intentionally made the set too small for the whole band, riffing off our experience at many rock clubs where our 30 piece band performs on a 12′x15′ stage … or less. Jim wanted the set to be “beautiful” in a way and inappropriate for a marching band. The quick turn around and collaborative nature of the process are representative of the Chicago arts community that Mucca Pazza is so lucky to be a part of. Chicago is a city of generous and multi-talented artists that get things done.

The band’s new album, Safety Fifth, will be out June 12, 2012.

The medication Aimee Copeland is given leads her to forget each time she falls asleep.

“It’s scary to her,” said her mother, Donna Copeland. She asks where she is and “doesn’t understand.”

Yet Aimee Copeland — who has lost a leg and part of her abdomen to the virulent bacteria and may lose more, including her fingers — is keeping her spirits strong, her father said.

Can I get this flesh-eating bacteria?

“We really don’t see the suffering side of it. We see the miraculous survival,” Andy Copeland said. “I think that’s the story that’s inspired us, that’s the story that’s inspired, I think, the nation at this point.”

On Facebook, he wrote that doctors have used words like “astonishing,” “confounding” and “mind-boggling” to describe the young woman’s recovery.

The master’s student in psychology at the University of West Georgia was out with friends on May 1 near the Little Tallapoosa River, about 50 miles west of Atlanta, when she grabbed onto a homemade zip line. It snapped.

The accident left her with a gash in her left calf that took 22 staples to close.

Three days later, when the pain continued, a friend took her to an emergency room, where she was diagnosed with necrotizing fasciitis and flown to Augusta for surgery.

She had contracted the flesh-devouring Aeromonas hydrophila. The bacterium is “remarkably common in the water and in the environment,” according to Dr. Buddy Creech, an assistant professor of pediatric infectious diseases at Vanderbilt University.

“When it gets into those deeper tissues, it has a remarkable ability to destroy the tissues that surround it in sort of this hunt for nutrition,” he said. “When it does that, those tissues die, and you see the inflammation and the swelling and the destruction that can be very difficult to control.”

In most cases, people contract the bacteria by swallowing them, resulting in diarrhea. Aimee Copeland’s case was much more rare. Her wound became infected, “and the infection (ran) wild,” Creech said.

A blog set up by the University of West Georgia psychology department said Aimee Copeland will suffer the loss of her fingers.

“However, physicians have hope of bringing life back to the palms of her hands, which could allow her the muscle control to use helpful prosthetics. They are awaiting a safe time before embarking on surgery for this.”

Speaking to CNN on Monday, her father said doctors were assessing “day by day, or even hour by hour.”

Copeland has told his daughter that one day, the family will celebrate Aimee Day — when she will be able to breathe on her own. “We’re going to celebrate that day forever for the rest of your life,” he told her. “It’s the day that my daughter was delivered from this horrible, horrible disease.”

If there’s anything to be learned, Andy Copeland said, it’s not to use homemade zip lines.

Aimee Copeland’s parents say that when she wakes up, she expresses concern about finishing her thesis.

In her studies, she has focused on eco-psychology — the idea that harmonizing with nature can be a powerful tool in ensuring one’s psychological health and vitality.

CNN’s Josh Levs, Greg Botelho and Brooke Baldwin contributed to this report.

The Fridge is known for promoting the best in local talent, so to celebrate it’s hosting its 10th quarterly concert series across six weeks from May 14.

There will be a diverse mix of classical, jazz, groups, solo and dance concerts, which have become extremely popular in the three years that they’ve been running. This year the line up was selected in an X Factor-style vote system, promoting the interaction of the public with the arts .

At the time of going to press the final line-up was yet to be announced, but there were nearly 40 acts shortlisted. Likely to play are the likes of Brit Rockers Beat Antenna, Arabic Fusion act Dahab, Latin pop rock Fatiniza, pianist Malika Omar and Folk fusion act Noush Like Sploosh. Each concert will feature an act that won the vote, keep checking thefridgedubai.com for news.

FOOTNOTES

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© 2011 Gulf News (www.gulfnews.com)

Published May 14th, 2012 – 07:33 GMTPress Release

Enda M Mullin, recently appointed as General Manager of Sheraton Amman Al Nabil Hotel & Towers, is delighted to be in Jordan. The Irish hospitality executive is looking forward to continuing the successful career that he has built with Starwood Hotels & Resorts over the past 12 years, at several of its city and resort properties in Ireland and Greece.

“We are in a people industry, and people our owners, our associates and our customers will ultimately determine our success. Amman enjoys a very sophisticated and well-travelled guest profile, and our goal is to ensure that we create a personal connection with each guest so as to build loyalty and repeat custom.”

He added: “The key to our success now and into the future is the talent of our people, the creation of a strong brand culture that is infused throughout the entire organization, and dynamic leadership that can inspire and motivate.” 

Mullin brings with him a truly international background in the industry, having previously worked in South Africa, Malaysia, Scotland and Greece in addition to his native Ireland, at leading hotel chains including the Westin and Luxury Collection brands under Starwood, Sun International Hotels in Southern Africa, Shangri-La Hotels & Resorts in Malaysia and Hilton Hotels Worldwide in the UK.

Mullin holds a BA (Hons) Hotel & Catering Management Degree from GMIT in Ireland, is a Fellow of the Irish Hospitality Institute and has served as Vice Chairman of the Irish Hotels Federation in Dublin. He has built his professional credentials and experience over a distinguished career within the hospitality business spanning more than three decades and looks forward to maximising the business and development opportunities in Jordan in the years that lie ahead.

© 2011 Al Bawaba (www.albawaba.com)

Schools which find the most effective ways to help children from poor backgrounds could win £10,000, Deputy Prime Nick Clegg has announced.

The pupil premium was one of Mr Clegg's highest-profile policies during the 2010 general election.

In a speech at a north London primary school, he said the Lib Dems had "won the battle" within the coalition over the payments, ensuring they were properly funded.

He said: "Get this right and we make good on education's progressive promise: to give every child the chance to go as far as their abilities and effort can carry them.

"And we'll achieve something else of lasting importance. We'll prove that teachers do best when Whitehall steps out of the way.

"To that end, I want to strike a deal between the coalition government and our schools and teachers: We'll give you the cash; we'll give you the freedom; we'll reward and celebrate your success.

"But in return we want you to redouble your efforts to closing the gap between your poorer pupils and everyone else.

"We won't be telling you what to do, but we will be watching what you achieve."

In a separate interview Mr Clegg told BBC Breakfast: "This is a very big change to the pupil premium. It's money that's being given to schools and teachers.

"They are then entirely free to use that money as they see fit to help children from disadvantaged backgrounds to get a head-start in life that they deserve."

For Labour, shadow education secretary Stephen Twigg said: "Nick Clegg has got a nerve talking about social mobility. His government has cut education spending by the biggest amount since the 1950s.

"More than half of head teachers say they will be forced to use the pupil premium to plug holes in their budget."

Brian Lightman, general secretary of the Association of School and College Leaders, welcomed the positive tone of the speech, but he said the awards would not "have a massive impact on performance".

Christine Blower, general secretary of the National Union of Teachers, said: "Introducing competition for funding amongst our schools is quite unacceptable. All schools must be fully resourced to provide the first class education service we need."

Martin Johnson, deputy general secretary of the Association of Teachers and Lecturers, said: "The coalition government's austerity policies, with its attack on the jobs, pay and conditions and benefits of the less well-off, are increasing the [education] gap.

"The real answer to the achievement gap lies in new economic, industrial and regional policies, not in education policies based on dodgy stats and cheap gimmicks."

© 2011 BBC News (www.bbc.co.uk)
[TOT]

Rob Bennett for The Wall Street Journal

Dave Arnold prepares a cocktail that includes Bombay Sapphire East, Yellow Chartreuse, mint, lime and liquid nitrogen at the Booker and Dax bar.

As cocktails have moved toward center stage at many restaurants and nightspots, both restaurants and their customers have been looking to pair cocktails with food. The trick is to compromise the taste of neither the drink or the dish, says Dave Arnold, who opened Booker and Dax bar in New York City with Momofuku chef David Chang in January.

Mixologist and owner of David Chang’s Booker + Dax, Dave Arnold, demonstrates how he uses Bombay Sapphire East and liquid nitrogen to make his signature drink that will be featured at the upcoming Lucky Rice Festival.

Generally, intensely flavored food goes best with cocktails, Mr. Arnold says, adding that “cocktail pairings work very, very well in small-bite situations, where the flavor of the food tends to be very punchy and bold. You’ve got a lot of salt, you’ve got fried things, crunchy things—things that can stand up to high-intensity flavors of cocktails,” he says.

Dishes that are bland or very subtle may not work so well with cocktails. Salads, for example, aren’t the best pairing—”unless it’s a bold salad, like a Cobb salad,” he says.

Rob Bennett for The Wall Street Journal

Mr. Arnold’s Bombay Sapphire East, Yellow Chartreuse, mint, lime and liquid nitrogen cocktail

He believes some cuisines lend themselves to cocktail pairings, such as Mexican and many kinds of Asian foods, which tend to be more piquant, with a “higher level of flavor,” he says. With such cuisines, Mr. Arnold likes “citrus-forward cocktails” (traditional ones include margaritas and caipirinhas) whose tartness will be a good foil to the spices.

Mr. Arnold likes to start each meal with a classic cocktail like an Old Fashioned or a Manhattan that’s “very clean, there’s not a lot of sugar in it, it’s sophisticated and gets you in the mood” for the dinner ahead.

When deciding what to drink with a dish, Mr. Arnold thinks about what flavors will complement the main taste. Sometimes you need to look no further than a dish’s accompaniments or garnishes. “If I’m having pieces of lamb, then a mint-based cocktail would be delicious,” he says. Steaks can be enhanced by “whiskey that has a lot of oak in it.”

Dave’s Signature Lucky Rice Festival Cocktail

To pair with spicy food such as Thai and Mexican dishes, Dave Arnold suggests a cocktail he will be serving at the Lucky Rice festival of Asian food. This version is adapted for home mixing.

Serves two people.

2.5 oz. Bombay Sapphire East gin

1.5 oz. Yellow Chartreuse

1.5 oz. fresh lime juice

0.5 oz. simple syrup

18-20 mint leaves

Pinch of salt

Place all ingredients in a small blender.

Blend for seven to 10 seconds or until the mint leaves have been completely pulverized and the liquid mixture is a bright green.

Pour mixture into a cocktail shaker.

Pour ice over.

Shake vigorously over one shoulder for 15 seconds.

Pour mixture through a fine strainer into a chilled cocktail glass.

A touch of fruit in a drink—bananas or limes perhaps—is “awesome,” he adds, with grilled meats like pork. One of Mr. Arnold’s favorite drinks with grilled meats is a concoction he created: “Banana Justino,” which blends rum and bananas and is served on the rocks.

Cocktails often have a higher alcohol content than a standard glass of wine or beer, so Mr. Arnold cautions against having a full cocktail with each course in a meal. “If you have five courses and five cocktails, we’d be wheeling you out of the restaurant in a wheelbarrow,” he says.

If Mr. Arnold plans to slowly sip one cocktail through a meal, he avoids carbonated beverages. “They taste good for 10 minutes and they don’t get any better,” says Mr. Arnold, who also prefers stirred drinks to ones shaken with ice if he plans to drink them slowly.

Dessert can be tricky. Mr. Arnold chooses a creamy, sweet cocktail only if his dessert has very little sugar in it, and says that straight spirits often work well with sweet desserts. When finishing off a meal with cheese, Mr. Arnold likes drinks anchored with whiskey, cognac or scotch, saying those smoky flavors “can penetrate and cut through the fattiness and saltiness of the cheese.”

When entertaining at home, Mr. Arnold likes to design two cocktails that he believes go well with many dishes—often one with whiskey and one with “white spirits” like vodka or gin—and make large amounts just before guests arrive. “Mint goes very well with a lot of things,” he notes. And gin drinks work well with many spring and summer flavors, he says.

To balance out the cocktails, he often kicks up the flavor of his food. “If you grill a bunch of things, most of the flavors are bold—black pepper, salt, garlic,” he says. “This gives you a lot of wiggle room with cocktails.”

Dave Arnold

• Opened Booker and Dax bar in New York City with chef David Chang (of Momofuku fame) in January.

• Director of Culinary Technology at the International Culinary Center in New York City.

• Will be making cocktails May 1 at the Epicurean Cocktail Feast of New York’s annual LuckyRice Festival.

• Writes about food at the culinary center’s blog, cookingissues.com

Write to Cheryl Lu-Lien Tan at cheryl.tan@wsj.com

A version of this article appeared April 26, 2012, on page D6 in some U.S. editions of The Wall Street Journal, with the headline: Pairing Cocktails With Food.

© 2011 Wall Street Journal (www.wsj.com)

For a few fleeting minutes Monday, the Mets considered an unorthodox idea. With closer Frank Francisco reeling, they discussed the possibility of dividing his role between him and three other pitchers—a closer by committee.

But then the Mets decided on something even more radical by the standards of the 2012 baseball season. They decided to stick with their closer, at least for a little while longer.

After blowing two ninth-inning leads over the weekend in Miami, Francisco was shaky again in the Mets’ 3-1 win over the Milwaukee Brewers. He allowed a run on two hits and one walk in the ninth inning, but this time, he preserved the lead and earned his ninth save.

It wasn’t a confidence-inspiring performance, but the Mets will take it.

Getty Images

Closer Frank Francisco after getting ejected from Sunday’s game.

“This guy has a history of closing,” Mets manager Terry Collins said before the game. “We brought him here for a reason. We talked about doing a couple things different today, and we’ll see what the outcome is.”

The shelf life of a major-league closer has seemingly never been shorter. Already this season, 14 teams have changed closers. And while nine did so because of injuries, five demoted their closers after early-season struggles.

All it takes is a few ninth-inning debacles for fans to get antsy. And teams aren’t all that much more patient. Increasingly, the urge is to try someone else—anyone else.

The problem with that approach is it doesn’t necessarily improve the state of a bullpen. And as the Mets saw in Miami, it can lead to a revolving door.

After Marlins closer Heath Bell got off to a dreadful start, manager Ozzie Guillen temporarily used two other relievers to close games. Then he went back to Bell, who was booed off the mound after giving up two runs Sunday.

“What you end up doing is experimenting, and I’m not into experimenting,” Collins said. “You put in Jon Rauch today and he gives up a single and a double. ‘Well, he’s not the answer.’ So all you’re doing is creating a bigger mess than what you really have. Let’s just see if we can fix the problem first.”

Francisco, who signed a two-year, $12 million deal with the Mets last winter, has blown two saves, been charged with three losses and entered Monday with an 8.56 ERA. But his fielding-independent pitching mark—which measures performance based only on the factors a pitcher can directly control—was much better, at 4.23.

He’s had some legitimate issues on the mound, but the Mets believe they are correctable. After reviewing video of Francisco’s recent outings, the Mets think he may be tipping his pitches. It’s a problem Francisco had last season and was able to fix by modifying his setup.

“Sometimes you think it’s nothing, but it can be a huge deal,” Francisco said. He thanked Collins for sticking with him. “I think he’s doing the right thing, because I believe,” Francisco said. “First, I believe in God, and then I believe in me. I think I can do the job.”

The Mets’ faith will only last so long. As Collins noted Sunday, they have other options. Rauch has closing experience and entered Monday with a 2.93 ERA in 17 appearances. Bobby Parnell has been their best right-hander in the bullpen, entering Monday with a 2.25 ERA in 16 appearances.

On Monday night, after Milwaukee’s Corey Hart singled off Francisco to drive in Ryan Braun with one out, Collins got Rauch up in the bullpen. Francisco walked the next batter, Taylor Green, but struck out Brooks Conrad and got George Kottaras to fly out to right field to end the game.

The closer’s job remains his—for now.

“He said if it doesn’t work, he’ll understand,” Collins said. “But in his mind, he truly believes he’s actually making good pitches, which we have seen by the video that they were good pitches. Patience may prevail for a short time.”

Write to Brian Costa at brian.costa@wsj.com

© 2011 Wall Street Journal (www.wsj.com)